Critic’s Pick: ‘Only God Forgives’ reviewed by Thelma Adams

Must-See Movies Beyond the Blockbusters We’ve all heard the stories of the Cannes Film Festival audience booing the premiere of “Only God Forgives,” Nicolas Winding Refn’s first film after “Drive” with Ryan Gosling back front and center. Not very forgiving, huh? Those who are less judgmental, or less enamored of …

How Whoopi Goldberg revealed the inspiration for Eddie Murphy’s Drag Granny and Tyler Perry’s Madea

One of the many interesting discoveries in Whoopi Goldberg’s Moms Mabley biopic, “I’ve Got Somethin’ to Tell You,” which I saw at the Provincetown Town Hall with John Waters in the audience, was Eddie Murphy’s on-camera confession. He said that he fashioned his sassy black grandmother in “The Nutty Professor” …

Critic’s Pick: ‘Before Midnight’ – You’re on, Armond

Must-See Movies Beyond the Blockbusters “Before Midnight,” the third and richest collaboration between Ethan Hawke, Julie Delpy and director Richard Linklater, finds the French and American couple Celine (Julie Delpy) and Jesse (Ethan Hawke) still talking, talking, talking – and making love. Having met on a train nearly two decades …

Critic’s Pick: ‘Frances Ha’

While bromances flourish – doctors, racecar drivers and superheroes bond regularly — memorable movies about best girlfriends are a rare species. But in that environment, “Frances Ha,” the brilliant black-and-white comic collaboration between star-writer Greta Gerwig (“To Rome with Love”) and writer-director Noah Baumbach (“Greenberg”), is a game-changer. Best friends …

Adams on Reel Women: ‘Snow White and the Huntsman’ — it isn’t pretty!

Beauty is a bitch. That’s always animated the Snow White story: Vanity and jealousy drive the evil stepmother queen to slip Snow White that poisoned apple. Now, along comes “Snow White and the Huntsman,” which is all about teasing out the backstory of these Grimm characters and asking, “Why?” Why …

Adams on Reel Women: Maiwenn Pulls no Punches in ‘Polisse’

Americans want the French with baguettes and berets,” the actress-writer-director Julie Delpy (“Before Sunrise”) told me last month, “The way French people handle sexuality is too controversial for American audiences.” That remark resonated when I watched actress-writer-director Maiwenn submerge herself in the sordid world of the Paris Child Protection Unit. …

Back to Top