‘Foxcatcher’: Wrestling with tough characters

HollywoodandFine.com When I saw Bennett Miller’s “Foxcatcher” at the Toronto Film Festival in September, I wrote that “Miller, in my estimation, has jumped into the class of Steven Soderbergh and other great directors of the past 25 years (who don’t worship at the Tarantino altar).” Not that I’ve got anything …

‘World War Z,’ reviewed by Marshall Fine

HollywoodandFine.com Ahhh yes, the zombie apocalypse – that moment when the dead rise and, by biting the living, turn them into zombies as well. Some theorize that Patient Zero was Ronald Reagan. Before long, there’s an unorganized zombie army meandering around the streets, chomping on any unfortunate warm-blooded soul who …

‘Red Flag,’ ‘Rubberneck,’ reviewed by Marshall Fine

HollywoodandFine.com It’s rare that a filmmaker has more than one film out in a single year, unless they’re either making both features and documentaries – or they’re Steven Soderbergh. But Alex Karpovsky actually has two films out the same day: “Red Flag” and “Rubberneck.” They’re being released as a double-feature …

‘Perfect Sense,’ reviewed by Marshall Fine

HollywoodandFine.com David Mackenzie’s “Perfect Sense” is an end-of-the-world romance in which the world disappears incrementally. Being involved in this velvet apocalypse is a little like being the Cheshire cat, unable to control which part of you will disappear next. Like Steven Soderbergh’s “Contagion” and Fernando Meirelles’ “Blindness,” Mackenzie’s cataclysm comes …

‘Haywire,’ reviewed by Marshall Fine

HollywoodandFine.com I don’t know whether Gina Carano has a future as an actress but she certainly kicks ass in Steven Soderbergh’s “Haywire,” a jet-propelled action-thriller that has little time for wasted motion. Working from a script by Lem Dobbs, who also wrote “The Limey,” Soderbergh has made an intense and …

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