‘Broken City,’ reviewed by Marshall Fine

HollywoodandFine.com Allen Hughes’ “Broken City” has the bones and perhaps even the DNA of a better, darker and more interesting film. Its tale of marital discord and political in-fighting, as well as corruption and malfeasance, could have been constructed as one of those painfully compelling tales of a good man …

‘The Last Stand,’ reviewed by Marshall Fine

HollywoodandFine.com Sometimes, all you want is a knock-down, guns-blazing approximation of an old-style western, even if it’s set in contemporary times. As a modern oater, “The Last Stand” is shamelessly entertaining. As guilty pleasures go, this one is relatively defensible. Directed by Korean émigré Kim Jee-woon, it’s a 21st-century take …

‘Promised Land,’ reviewed by Marshall Fine

HollywoodandFine.com I wanted to like “Promised Land” and certainly agree with its politics. So why did it feel like a preaching-to-the-converted letdown? Written by costars Matt Damon and John Krasinski, this Gus Van Sant film deals with a small Pennsylvania town hit hard by the recession. The area farmers are …

‘Les Miserables,’ reviewed by Marshall Fine

HollywoodandFine.com Tom Hooper’s film of the musical “Les Miserables” is an exceptional movie of a mediocre musical, the kind of middlebrow melodrama that passes for profound on Broadway. Part of the sorry big-box-musical era that brought us “Cats,” “Miss Saigon” and “The Phantom of the Opera,” “Les Miserables” was a …

‘Django Unchained,’ reviewed by Marshall Fine

HollywoodandFine.com At this point in his career, is there anything Quentin Tarantino can do to surprise us? Absolutely. I was floored by 2009’s “Inglourious Basterds” – not by the violence or the outrageousness of some of the action, but by Tarantino’s command of suspense, his ability to crank the tension …

‘This Is 40,’ reviewed by Marshall Fine

HollywoodandFine.com Foul-mouthed without being particularly funny, involved without being compelling, Judd Apatow’s “This Is 40” wants to be deeper than it really is. Which is an Apatowian trademark. Apatow aspires to be a contemporary Frank Capra – albeit one with fart and blowjob jokes. But his movies are always about …

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