‘A Late Quartet,’ reviewed by Marshall Fine

HollywoodandFine.com There are pleasures to be had from Yaron Zilberman’s “A Late Quartet,” opening in limited release today (11/2/12), principally having to do with its treatment of group dynamics battling artistic temperaments. The question is whether those are sufficient to warrant sitting through the rest of it. Set in the …

‘The Other Son,’ reviewed by Marshall Fine

HollywoodandFine.com There are a lot of ways Lorraine Levy could have gone with the premise of “The Other Son,” opening in limited release Friday. Thankfully, she took the least-expected one. A switched-at-birth tale, “The Other Son” raises the stakes on what is already an emotionally charged situation. Her story – …

Alex Cross and Detropia reviewed by Armond White for CityArts

Alex Cross and Detropia zombify a city By Armond White Detroit’s old magnificent Michigan Theater was one of the country’s finest cinema edifices. A palace of dreams, its vaulted ceiling rose up nine stories–as high as one’s imagination could rise. It had a grand staircase that one ascended on the …

‘The Sessions,’ reviewed by Marshall Fine

HollywoodandFine.com Sex is a magnetic force, one that attracts and repels with equal force. Those impulses can be electrifying or awkward, drawing us desperately while tripping us up regularly. To make it even more difficult, this primal bit of attraction comes freighted with teachings about morality, religion and hygiene. Now …

‘Seven Psychopaths,’ reviewed by Marshall Fine

HollywoodandFine.com I’ll admit I’m a sucker for Martin McDonagh’s work. I’m a fan of his plays and loved his first feature, “In Bruges.” And I’m just as excited about his new film, “Seven Psychopaths,” perhaps the movie that forces you to laugh at more inappropriate moments than any film in …

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