‘360,’ reviewed by Marshall Fine

HollywoodandFine.com The second film of the summer inspired by Arthur Schnitzler’s “La Ronde,” Fernando Mereilles’ “360” is an intriguing jigsaw puzzle of a movie, less schematic than Schnitzler’s play (or “30 Beats,” the dreadful film of a couple weeks ago). Still, it’s more interesting for its individual pieces than what …

‘You’ve Been Trumped,’ reviewed by Marshall Fine

HollywoodandFine.com America’s love affair with the stars of big business should have come to an end with the greed-driven crash of our financial system in 2008. Yet, somehow, Donald Trump remains not just a celebrity but one who was actually considered seriously as a presidential candidate – for about a …

Aurora Atrocitas: The Dark Knight Crisis by Armond White for CityArts

The clash of art and reality should be a cultural turning point By Armond White The Christopher Nolan Batman movies are not exactly life affirming, so why do pundits refuse to connect those films to last week’s Aurora, Colorado, massacre at the midnight showing of Nolan’s The Dark Knight Rises? …

‘The Babymakers,’ reviewed by Marshall Fine

HollywoodandFine.com I’ll admit I’ve never seen any of the movies from the comedy troupe Broken Lizard, which include such deathless titles as “Super-Troopers,” “Beerfest” and “The Slammin’ Salmon.” And now, on the basis of “The Babymakers,” I’m not likely to. It’s not as if these films have been bubbling around …

‘Celeste and Jesse Forever,’ reviewed by Marshall Fine

HollywoodandFine.com There inevitably will be comparisons between “Celeste and Jesse Forever” and “(500) Days of Summer,” and that’s not a bad thing. Both are about intense relationships between young adults that end – and yet go on. Both are stories of love that has grown one-sided. And both ache with …

Why Hollywood studios fear political content

HollywoodandFine.com A South American director once observed to me that everything was political. He was referring to entertainment in general, more specifically the films that Hollywood chooses to make, even when they seemingly have nothing to do with politics – because that, in itself, is a political choice. That’s still …

‘Killer Joe,’ reviewed by Marshall Fine

HollywoodandFine.com He won a Pulitzer Prize and Tony Award for “August: Osage County,” a tale of family dysfunction that was scathing and dark. But that wasn’t playwright Tracy Letts’ first foray into the brutal dynamics of family strife: Consider his play, now a film, called “Killer Joe.” Dysfunctional? The Smith …

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