HollywoodandFine.com There is always an audience for actors in late middle-age who know how to kick serious ass. Charles Bronson was 53 when he made “Death Wish,” Liam Neeson was 54 when he did “Taken” and Clint Eastwood was 73 when he did “Gran Torino.” Action has always been one …
HollywoodandFine.com I’m a little embarrassed at how much I enjoyed “The Raid 2,” Gareth Evans’ sequel to his blistering 2011 action film, “The Raid.” So let me be exceptionally clear: “The Raid 2” may be the most graphically violent movie in recent memory – and that’s taking into account the …
HollywoodandFine.com Akiva Goldsman’s track record is a spotty one, chockablock with commercially successful films full of formulaic writing and manipulatively sentimentalized emotion. Or just plain hogwash: “Batman & Robin,” anyone? Sure, he won an Oscar for Ron Howard’s “A Beautiful Mind,” as middlebrow a choice as you could get in …
HollywoodandFine.com Zack Snyder widens his view as a director with “Man of Steel,” taking a proclivity for creating startling images in the service of storytelling and using it to enlarge and expand the action. As a result, “Man of Steel” works as a compelling big-screen blockbuster because Snyder doesn’t treat …
HollywoodandFine.com Allen Hughes’ “Broken City” has the bones and perhaps even the DNA of a better, darker and more interesting film. Its tale of marital discord and political in-fighting, as well as corruption and malfeasance, could have been constructed as one of those painfully compelling tales of a good man …
HollywoodandFine.com Tom Hooper’s film of the musical “Les Miserables” is an exceptional movie of a mediocre musical, the kind of middlebrow melodrama that passes for profound on Broadway. Part of the sorry big-box-musical era that brought us “Cats,” “Miss Saigon” and “The Phantom of the Opera,” “Les Miserables” was a …