‘Dark Horse,’ reviewed by Marshall Fine

HollywoodandFine.com I’m not going to invoke the title of this film to describe writer-director Todd Solondz. But “Dark Horse,” opening in limited release Friday (6/8/12), is pure Solondz, a return to form after “Life During Wartime” and “Palindromes,” which seemed like experiments in style more than anything else. He once …

‘A Cat in Paris,’ reviewed by Marshall Fine

HollywoodandFine.com Nominated for the Oscar as best animated feature (which went to the visually brilliant but drastically unfunny “Rango”), “A Cat in Paris” is a slight but entertaining tale, most noteworthy for going old-school, with hand-drawn animation. Directed by Jean-Loup Felicioli and Alain Gagnol from a script by Gagnol, this …

‘Moonrise Kingdom,’ reviewed by Marshall Fine

HollywoodandFine.com Is there anything headier, happier and more confusing than first love? Of course not. That sensation is captured perfectly in Wes Anderson’s “Moonrise Kingdom,” as wonderfully odd and formal a film as Anderson has made. Even in Anderson’s detail-oriented obsession with symmetry and control of his images, he manages …

‘The Intouchables,’ reviewed by Marshall Fine

HollywoodandFine.com “The Intouchables,” opening Friday (5/25/12) in limited release, offers the epitome of the breakout performance: Omar Sy, who won the Cesar, the French Oscar, for best actor for his performance in this film, defeating Jean Dujardin for “The Artist.” Sy was already a star in France – but he’ll …

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