‘Robot & Frank,’ reviewed by Marshall Fine

HollywoodandFine.com A caper film whose biggest thief is actually the inexorable flow of time, “Robot & Frank” is a terrific character study that offers the always-captivating Frank Langella the opportunity to stretch out a little bit. Though Jake Schreier’s film, from a script by Christopher Ford, builds to a contrived …

‘The Expendables 2,’ reviewed by Marshall Fine

HollywoodandFine.com A sequel to Sylvester Stallone’s 2010 hail-Mary all-action-star effort to regain relevance at the box office, “The Expendables 2” may be the biggest, bloodiest and most willfully stupid film since the last time Michael Bay stepped behind a camera. This one is directed by Simon West, someone else who …

‘Chicken with Plums,’ reviewed by Marshall Fine

HollywoodandFine.com “Chicken with Plums,” opening Friday (8/17/12) in limited release, is a fascinating puzzle: at once a mordant comedy, a tale of unrequited love and a story of heart-breaking artistry. Directed by Marjane Satrapi and Vincent Paronnaud from Satrapi’s graphic novel, it is magical and mysterious, a story of love …

‘Cosmopolis,’ reviewed by Marshall Fine

HollywoodandFine.com I rarely take notes during movies, but when the pretentious aphorisms started flying in David Cronenberg’s “Cosmopolis,” I dove for my notebook. I missed a few of the early ones, but managed to scribble down several of the ripest, most ridiculous pronouncements, starting with: “Life is too contemporary.” Or …

‘2 Days in New York,’ reviewed by Marshall Fine

HollywoodandFine.com In her follow-up to “2 Days in Paris,” actress-filmmaker Julie Delpy moves her focus across the Atlantic and switches leading men – from Adam Goldberg to Chris Rock. The result is another shaggy, discursive and amusing film – long on character, short on plot, full of sly observations about …

‘The Bourne Legacy,’ reviewed by Marshall Fine

HollywoodandFine.com Tony Gilroy is the smartest, most intriguing screenwriter since William Goldman was in his heyday. In a variety of films – including his own “Michael Clayton” and “Duplicity” – Gilroy has demonstrated both a toughness and a cleverness that few contemporary screenwriters possess. He comes through again with “The …

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