HollywoodandFine.com Sean Penn is a global activist who puts his money – and, more important, his physical self – where others barely pay lip service. His advocacy on behalf of the voiceless is stirring, but it obviously is also time-consuming and costly. So when a paycheck role like “The Gunman” …
HollywoodandFine.com James “The Amazing” Randi is not just a magician – he’s a skeptic, a rather more important calling. As the subject of the documentary “An Honest Liar,” by Justin Weinstein and Tyler Measom, Randi comes across as an alternately engaging and crusty old guy. His bushy eyebrows take on …
HollywoodandFine.com Writer Bruce Wagner’s script for David Cronenberg’s “Maps to the Stars” is of a piece with his other work. It blends a cynical vision of people with an even darker examination of the worship of the superficial that is Hollywood life. But instead of the kind of roiling tale …
HollywoodandFine.com Glenn Ficarra and John Requa’s “Focus” brings to mind Tony Gilroy’s similarly complex but more fun “Duplicity,” from a couple of years ago: a tale of love among the con men, in which emotion – considered weakness in this trade – becomes a factor. “Focus” works hard and does …
HollywoodandFine.com Sports movies starring Kevin Costner: It could be a category on “Jeopardy.” But that’s not really a bad thing. While the Costner oeuvre has its share of titles devoted to athletic themes, he hasn’t made many bad ones. He has a solidity and an honesty on screen that make him …
HollywoodandFine.com When James Bond rebooted with Daniel Craig in “Casino Royale,” the blend of old-school spy tale and modern-action sensibility seemed right – if still a little restrained. Imagine now what would happen if James Bond were put in the hands of someone who was willing to not just rethink …
HollywoodandFine.com There aren’t many films from the past 15 years that bowled me over the way “The Matrix” did. Unfortunately, the Wachoskis – Andy and Lana – haven’t come close since then. The “Matrix” sequels proved that not every successful movie deserves to be a trilogy. “Speed Racer” was an …
HollywoodandFine.com Submarine movies rarely end well for the characters, almost never for the submarine itself. It’s a claustrophobic genre and, no matter what the actual plot, the story is always about men trapped in a nature-defying environment when that environment is threatened, often by the actions of the men themselves. …
HollywoodandFine.com Here’s my first problem with Michael Mann’s “Blackhat”: Chris Hemsworth doesn’t have the talent to make me believe he’s smart enough to be an MIT-educated, world-class computer hacker. As I watched him, I kept wondering what a real actor – Mark Ruffalo or Edward Norton, say – would have …
HollywoodandFine.com Stephen Belber’s “Match” is a slight but affecting film built around a stirring central performance by Patrick Stewart. He plays Tobias, a one-time principal male dancer who traveled the world with a ballet company and now makes his living as a choreographer and Juilliard instructor. But, on the day …
HollywoodandFine.com I’ve never felt a particular affinity to the films of the Dardenne brothers, Jean-Pierre and Luc: like some, can leave the rest. But their newest, “Two Days, One Night,” pulled me in almost instantly and held me to its gripping conclusion. It’s a small story – an individual’s fight …
HollywoodandFine.com I happened to see Angelina Jolie’s “Unbroken” before I read the Laura Hillenbrand book about the life of the amazing Louis Zamperini. My guest for an early screening was someone who had read and loved the book – and was dying to see the film. I came away from …
HollywoodandFine.com The two most disappointing films of the season should have been two of the most gripping: “Unbroken” (also opening on Christmas) and Clint Eastwood’s “American Sniper,” Eastwood’s second misfire of the year (after the deadly “Jersey Boys”). The film is based on the memoir by former SEAL sniper Chris …
HollywoodandFine.com At heart, “Big Eyes” is a just a drama about a codependent relationship that strays into abusiveness, in which the wife finally finds the strength to walk away from a domineering husband. Except that Tim Burton’s latest film is about the marriage of Walter and Margaret Keane, a pair …