In the House reviewed by Armond White for CityArts

By Armond White Sloppy storytelling has become so standard for American filmmakers (Side Effects, The Place Behind the Pines) that Francois Ozon’s new trifle In the House feels especially pleasurable. Storytelling is its subject in the same sense as Todd Solondz’s 2001 Storytelling. Ozon plays with his increasing filmmaking skill …

‘In the House,’ reviewed by Marshall Fine

HollywoodandFine.com Francois Ozon’s “In the House,” opening Friday (4/19/13) in limited release, gets in your head, slowly at first, then with greater and greater speed. Initially seeming like a comedy about the vicarious voyeurism of a literature teacher at a Paris high school, it casually transforms itself into something else: …

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