‘August: Osage County,’ reviewed by Marshall Fine

HollywoodandFine.com “Every unhappy family is unhappy in its own way,” Tolstoy observed and he could have been talking about the Weston clan of “August: Osage County,” when he wrote that line to start “Anna Karenina.” This particular family get-together is like one of those “Royal Rumble” professional wrestling matches, where …

‘Jack the Giant Slayer,’ reviewed by Marshall Fine

HollywoodandFine.com A roiling visual extrusion rendered from computer-generated imagery, “Jack the Giant Slayer” makes you long for the days of Ray Harryhausen. With his sometimes jerky stop-motion animation that was state-of-the-art movie magic for decades, Harryhausen somehow convinced you more thoroughly that his characters were alive and had feelings and …

‘Perfect Sense,’ reviewed by Marshall Fine

HollywoodandFine.com David Mackenzie’s “Perfect Sense” is an end-of-the-world romance in which the world disappears incrementally. Being involved in this velvet apocalypse is a little like being the Cheshire cat, unable to control which part of you will disappear next. Like Steven Soderbergh’s “Contagion” and Fernando Meirelles’ “Blindness,” Mackenzie’s cataclysm comes …

‘Haywire,’ reviewed by Marshall Fine

HollywoodandFine.com I don’t know whether Gina Carano has a future as an actress but she certainly kicks ass in Steven Soderbergh’s “Haywire,” a jet-propelled action-thriller that has little time for wasted motion. Working from a script by Lem Dobbs, who also wrote “The Limey,” Soderbergh has made an intense and …

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