The Citizen Kane of movie-musicas as legend would have it By Armond White The fact that Gene Kelly and Stanley Donen’s 1952 Singin’ in the Rain was later to inspire art as different from itself and as unignorable as both Michael Jackson’s Black or White music video and Stanley Kubrick’s …
Their Own Private 9/11 Margaret’s DVD and Dust Bunnies rescue the elite By Armond White Advance word on the DVD release of Kenneth Lonergan’s film Margaret hailed it as a “masterpiece” yet no one calls it a good movie because it isn’t even that. It’s the latest event from our …
HollywoodandFine.com Gorgeously shot and acted with aching tragic truthfulness, Michael Winterbottom’s “Trishna” is a romance of depth and feeling. Part of that, of course, is the source material; Winterbottom, who also wrote the script, has transposed Thomas Hardy’s “Tess of the D’Urbervilles” to modern India, where class differences still hold …
HollywoodandFine.com When you first meet Lucy, played with bracing forthrightness by Mira Sorvino in Nancy Savoca’s “Union Square,” well, let’s just say she can only grow on you. Because Lucy is – or seems to be – a serious pain. She’s whiny, she’s needy and she’s abrasive without even trying …
HollywoodandFine.com “Crazy Eyes” was spawned by the same boozy mentality (and, sometimes, sentimentality) that has inspired the work of everyone from Dylan Thomas to Charles Bukowski. If Adam Sherman’s film, now in limited release, occasionally wobbles under the delusion that alcoholics are actually visionaries and their bad behavior comprises the …
HollywoodandFine.com Boys will be boys. Always. Testosterone may not confer eternal youth on the male of the species, but it does enforce perpetual juvenile traits that can never truly be bred out of men. These come to the fore in Jay and Mark Duplass’ “The Do-Deca-Pentathalon.” A shaggy, basic tale …
2012’s best s-far and Sarris remembered By Armond White This year I want to do the Mid-Year Reckoning differently, as a tribute to film critic Andrew Sarris’ recent passing. It was Sarris, during my grad school years at Columbia, who wisely advised that the percentage of good movies has not …
An Oliver Stone Retrospective in Savages By Armond White Oliver Stone’s cinematic command turns Savages, his 19th film, into a reconsideration of his entire previous oeurve. Its story of three white California-carefree young adults progeny whose post-hippie, post-yuppie initiative into the drug trade conflicts with a Mexican cartel recalls Stone’s …
HollywoodandFine.com It took a Facebook communiqué from a friend, asking what I thought about “Savages,” for my thoughts to crystallize: “I was mixed,” I wrote. “Liked the action, thought the acting by the 3 heroes (and the writing for them) kind of sucked.” Which about sums it up. This film …
HollywoodandFine.com Spider-Man was an angsty teen that Stan Lee and Steve Ditko created in “Amazing Fantasy” comics in August 1962 – a character that’s apparently a perfect fit for Andrew Garfield in “The Amazing Spider-Man.” Garfield sweeps aside memories of Tobey Maguire as the web-spinner. He captures the personality split …
HollywoodandFine.com Where do writers get their ideas? How do they go about putting words in other people’s mouths? To writers, it seems like an unanswerable question: It’s a compulsion, a need, an itch that needs to be scratched on a semi-regular basis. But the process seems like a mysterious one …
Unforgivable by Armond White Cherubina, the nickname given to Judith (Carole Bouquet) in Unforgivables, comes from the love trickster in Mozart’s opera The Marriage of Figaro. Judith, a former model with a bisexual past, now sells real estate, brokering a villa in Venice to the macho novelist Francis (Andre Dussollier) …
Beefcake with Arty Frosting Channing Tatum hides behind Magic Mike By Armond White So what if Channing Tatum started as a stripper? The problem with Magic Mike, the semi-autobiographical melodrama he co-produced, is that he couldn’t find a filmmaker to properly translate that beefcake experience to the screen. Whatever Tatum …
That’s My Boy Exposes a Conspiracy By Armond White If you didn’t get the Memo to hate Adam Sandler, his new movie That’s My Boy would seem another likable, if minor, entry in his continuing series of unexpectedly challenging human comedies. The anti-Sandler Memo is a follow-the-leader pact–not literally a …