By Armond White It can’t be easy for children of famous filmmakers to escape their parents’ shadows. That’s the problem facing Francis Ford Coppola’s offspring, daughter Sofia and son Roman, the most talented of the two. Neither can seem to get out from under their father’s eminence but at least …
Italy 2, Hollywood 0 By Armond White Why are Italian filmmakers so good at political movies and Americans so bad? This week, Marco Bellocchio’s newest film Dormant Beauty has its US. Premiere at the Film Society of Lincoln Center and Elio Petri’s 1965 The Tenth Victim shows in a special …
HollywoodandFine.com In “Snitch,” Dwayne Johnson – still probably better known as The Rock – plays a normal guy pressed into action to help save his son from a 10-year stretch in prison because of the mandatory-minimum sentencing drug laws in Missouri, where the film is set. And that injustice – …
HollywoodandFine.com There are a number of people whose work I admire involved with “Inescapable.” So allow me to say some nice things about them before I talk about what is so wrong with this movie. The film is written and directed by Ruba Nadda, a Canadian director of Middle Eastern …
HollywoodandFine.com It’s rare that a filmmaker has more than one film out in a single year, unless they’re either making both features and documentaries – or they’re Steven Soderbergh. But Alex Karpovsky actually has two films out the same day: “Red Flag” and “Rubberneck.” They’re being released as a double-feature …
HollywoodandFine.com According to box-office pundits, “A Good Day to Die Hard” (on further reference: “Die Hard 5”) will be the big box-office winner this holiday weekend. It will reassert Bruce Willis’ box-office magnetism. And it will do it while kicking dirt on the aspirations of his two vintage rivals, Sylvester …
HollywoodandFine.com There’s been a lot of Oscar chatter about the fact that “Argo” seems on track to win the best-picture trophy this year – despite the fact that its director, Ben Affleck, was left off the list of best-director nominees. What seems to have gone undiscussed is the elephant in …
HollywoodandFine.com I’m probably the wrong demographic for “Beautiful Creatures,” the latest effort at franchise-building in the teen supernatural-romance genre. Based on the first in a series of books by Kami Garcia and Margaret Stohl, “Beautiful Creatures” (opening Thursday) hopes the “Twihards” can shift their focus from the undead to the …
HollywoodandFine.com Her name is Lore (pronounced like Laura) and, from all appearances, she’s your typical petulant 14-year-old, focused on herself, with little time for her gaggle of siblings or her parents. But then reality sets in: Lore (Saskia Rosendahl) is an adolescent in 1945 Germany. The war is coming to …
HollywoodandFine.com Think of “Identity Thief” as a weak-tea reworking of “Midnight Run,” itself a long-overvalued action-comedy that was never as good its proponents would have you think. Here’s the most damning credit in the list of unremarkable credits for “Identity Thief”: The writer is Craig Mazin, whose filmography includes “Scary …
HollywoodandFine.com I have, on occasion, posted rants about filmmakers and actors who I consider overrated, a list that includes John Hughes, Terrence Malick, Zooey Deschanel and Ridley Scott, among others. And, at some point, a reader sent in a comment that said, “Why not write about someone who’s underrated?” To …
HollywoodandFine.com Dear Steven Soderbergh: Please don’t stop making movies. Your name is high on the list of filmmakers whose careers I’m thankful have coincided with my career as a movie critic. And “Side Effects” is further proof that you are at the height of your powers as a filmmaker. There’s …
HollywoodandFine.com Jonathan Levine’s “Warm Bodies” won the weekend box-office race for a couple of reasons. It’s a romantic comedy that works, for one thing. For another, it’s a smart reworking of “Romeo and Juliet.” And, finally, it takes the zombie genre someplace it hasn’t been before – though, at this …
An exclusive CityArts critics discussion of Walter Hill’s comeback By Armond White Bullet to the Head is an event. It is director Walter Hill’s first theatrical film since 2002’s Undisputed and the most meaningful Sylvester Stallone acting vehicle since Rocky. On this occasion I discuss the significance of Bullet to …
