‘The Purge,’ reviewed by Marshall Fine

HollywoodandFine.com “The Purge” is a high-concept blunt instrument of a thriller, a movie that offers a straightforward set-up and few subsequent surprises. It does exactly what you expect and doesn’t really go anywhere you don’t assume it will. The premise is devilishly simple: In the future, the government has eliminated …

London: The Modern Babylon reviewed by Armond White for CityArts

By Armond White In his essential book Subculture: The Meaning of Style, professor Dick Hebdige remarked that “the history of post-war British youth culture must be reinterpreted as a succession of differential responses to the black immigrant presence in Britain from the 1950s onward.” This appears to be Julian Temple’s …

‘Much Ado About Nothing,’ reviewed by Marshall Fine

HollywoodandFine.com I want to applaud Joss Whedon’s “Much Ado About Nothing” for all the things it does right, and I will. But Whedon’s side project – between his various TV and Marvel-related entertainments – gets one thing unfortunately wrong: It’s never very funny. Much of that has to do with …

‘Violet & Daisy,’ reviewed by Marshall Fine

HollywoodandFine.com Geoffrey Fletcher’s filmmaking debut, “Violet & Daisy,” is the summer’s oddest, most original treat. Imagine a script by Quentin Tarantino, directed by Wes Anderson – and you have an idea of just how deliciously surprising this film can be. It opens Friday (6/7/13) in limited release. The opening scene …

‘The Kings of Summer,’ reviewed by Marshall Fine

HollywoodandFine.com Shown at Sundance under the title “Toy’s House,” Jordan Vogt-Roberts’ “The Kings of Summer” is a coming-of-age tale that touches a lot of bases and explores a variety of tones in ways that most films are too timid to do. Based on a witty, imaginative script by Chris Galletta, …

With Bio-Pics Like This Who Needs Enemies: Behind the Candelabra reviewed by Armond White for CityArts

By Armond White From the actors’ perspective, Behind the Candelabra looks like a compassionate portrayal of the pianist and singer Liberace‘s relationship with Scott Thorson. The older established celebrity’s involvement with a younger man, masked for the public from 1977 to Liberace’s death in 1987, gets exposed here as an …

Film of the Week: Hannah Arendt reviewed by Armond White for CityArts

By Armond White Filmed under the working title “The Controversy,” Margarethe von Trotta’s bio-pic Hannah Arendt (now at Film Forum), about the renown German Jewish critic and philosopher, combines gossipy insight into the New York literary society of the 1960s with a more serious story of political morality. Those seemingly …

Critic’s Pick: ‘Before Midnight’ – You’re on, Armond

Must-See Movies Beyond the Blockbusters “Before Midnight,” the third and richest collaboration between Ethan Hawke, Julie Delpy and director Richard Linklater, finds the French and American couple Celine (Julie Delpy) and Jesse (Ethan Hawke) still talking, talking, talking – and making love. Having met on a train nearly two decades …

Dud of the Week: Before Midnight reviewed by Armond White for CityArts

Why won’t Linklater, Hawkes and Delpy shut up? By Armond White Following Before Sunrise (1995) and Before Sunset (2004), Before Midnight’s ongoing chronicle of an aging, talkative, narcissistic couple Ethan Hawke and Julie Delpy (he’s author of two books This Time and That Time; she’s artistic) threatens to become the …

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