‘Sleeping Beauty,’ reviewed by Marshall Fine

HollywoodandFine.com Perhaps I’m not qualified to write about “Sleeping Beauty,” the debut film from Australian director Julia Leigh. I am, after all, a middle-aged man. And this meandering movie, which manages to make nudity monotonous and presents sex as a distasteful commercial venture, seems to be about a kind of …

My Week With Marilyn review By Armond White for CityArts

Weak Celebrity Bio of Marilyn My Week with Marilyn By Armond White Art critics cite Andy Warhol’s 1962 Gold Marilyn Monroe (a tinted print using a Niagara movie still) to exemplify the movie star’s “infinitely reproducible” image. Movie critics simply yell “Oscar!” at Michelle Williams’ image of Monroe in My …

‘Coriolanus,’ reviewed by Marshall Fine

HollywoodandFine.com Never a popular part of the Shakespeare canon, “Coriolanus” (opening in limited released Friday, 12/2/11) bears a peculiar timeliness, in the muscular directorial debut by Ralph Fiennes. Fiennes directed and stars in this film, which transposes Shakespeare’s drama about a career soldier forced to cope with political reality to …

‘Outrage,’ reviewed by Marshall Fine

HollywoodandFine.com Takeshi Kitano has always been a rule-breaker so it’s no surprise that “Outrage,” his latest gangster film, should foil expectations. A good part of that has to do with Kitano himself. Cast as a yakuza underboss in a violent, almost Shakespearean tale of double-dealing underworld power struggles, Kitano lets …

‘A Dangerous Method,’ reviewed by Marshall Fine

David Cronenberg’s “A Dangerous Method” is about the talking cure – specifically, the kind of talk therapy pioneered by Sigmund Freud and Carl Jung at the start of the 20th century. Freud and Jung, however, nearly talk the audience to death in Cronenberg’s bloodless, pokey film. Though his cast – …

Hugo, or How. Unique. Got. Ordinary, review by Armond White for CityArts

Scorsese’s Fantasy Autobiography By Armond White As a children’s film, Martin Scorsese’s Hugo is overwrought and under thought. Its story of Hugo (Asa Butterfield), an orphaned boy who lives in a Paris train station where he surreptitiously maintains the clock mechanisms, suggests a fantasy autobiography. He wants to think of …

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