The Sandler Memo (That’s My Boy) reviewed by Armond White forCityArts

That’s My Boy Exposes a Conspiracy By Armond White If you didn’t get the Memo to hate Adam Sandler, his new movie That’s My Boy would seem another likable, if minor, entry in his continuing series of unexpectedly challenging human comedies. The anti-Sandler Memo is a follow-the-leader pact–not literally a …

‘Seeking a Friend for the End of the World,’ reviewed by Marshall Fine

HollywoodandFine.com Pre-apocalyptic films tend to be thrillers: Yikes, the world is about to end – how can we escape or avert imminent disaster? But Lorene Scafaria’s “Seeking a Friend for the End of the World” strikes a different chord: one that is wistfully romantic, a little melancholy and unexpectedly funny. …

Your Sister’s Sister reviewed by Armond White for CityArts

The Duplass Gang Humps Again The Indie film movement may have some high points (your call) but it also commits innumerable disasters such as Your Sister’s Sister and Peace, Love and Misunderstanding. Each plot is undistinguished but Your Sister’s Sister’s plot is so poor it exposes how the Indie movement’s …

‘Marina Abramovic The Artist is Present,’ reviewed by Marshall Fine

HollywoodandFine.com I settled in for the screening of “Marina Abramovic The Artist is Present,” with the same skepticism I’d had when I went to see her retrospective at the Museum of Modern Art, which the film documents. But I came away feeling chastened – mostly that I’d been so dismissive …

‘Your Sister’s Sister,’ reviewed by Marshall Fine

HollywoodandFine.com Lynn Shelton had me at “Humpday,” the feature that introduced me to the intuitively funny filmmaker, who comes back strong with “Your Sister’s Sister,” opening in limited release Friday (6/15/12). Working once again with Mark Duplass, Shelton brings Emily Blunt and Rosemarie Dewitt into the mix, in a story …

Dark Horse reviewed by Armond White for CityArts

Zombie Mantra: Solondz abhors irony in Dark Horse By Armond White In answer to contemporary culture’s manic competition for fame, Todd Solondz offers Dark Horse, a film about Abe (Jordan Gelber), a 35-year-old Jewish man, overweight, living with his parents, employed in his father’s real estate business yet still playing …

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