Animation Domination by Armond White for Room for Debate (NYT)

By Armond White The question of whether computer animation has killed or enhanced the “magic” of cinema demands other questions, like: How many more times can we tolerate digitally enhanced characters leaping into the air with their spear or knife drawn to descend superhero-like on an opponent? How many zooming …

‘Philip Roth: Unmasked,’ reviewed by Marshall Fine

HollywoodandFine.com Philip Roth may be our greatest living writer. So why would he give himself over to filmmakers who would make a movie as dull, superficial and pedantic as “Philip Roth: Unmasked”? The film, which receives a special theatrical run starting this week at Film Forum in New York, will …

‘Don’t Stop Believin’: Everyman’s Journey,’ reviewed by Marshall Fine

Hollywoodandfine.com You absolutely don’t have to be a fan of the rock group Journey to enjoy Ramona Diaz’s “Don’t Stop Believin’: Everyman’s Journey.” Because I’m not. Really. Not to put too fine a point on it, but as someone who was working as a rock critic for the first decade …

Adjani Power at BAM

Isabelle Adjani lionized in Techine’s lost masterpiece By Armond White Isabelle Adjani’s screen work is ethereal yet passionate. Once compared to James Dean at the time of her breakthrough role in Francois Truffaut’s 1975 The Story of Adele H., her artistry most resembles Lillian Gish’s but less maidenly and always …

Oscars Post-Mortified reviewed by Armond White for CityArts

MacFarlane backlash proves the “booboisie’s” desperation By Armond White We survived awards season and the damage done tells us that movie history has lost any sense of dignity. Satirist Seth MacFarlane couldn’t expose how gutless contemporary film culture is without sacrificing himself in the process. As host of the 78th …

‘Phantom,’ reviewed by Marshall Fine

HollywoodandFine.com By its nature, movies set aboard submarines should come with built-in suspense. If the story is set during a war, well, there’s always the threat of attack. Even during peacetime, submarines are tense settings: the claustrophobia factor, the ever-present possibility of mechanical failure, that whole trapped-at-the-bottom of the ocean …

Back to Top