Melancholy Baby: Kirsten Dunst in “Melancholia,” commentary by Thelma Adams

Kirsten Dunst, like Drew Barrymore or Lindsay Lohan, is a blond that grew up in front of the camera – arguably the most gorgeous, and certainly the finest actress of the three. In Melancholia, she also becomes the most daring and memorable as Justine, a young bride whose anxiety spoils …

‘Sleeping Beauty,’ reviewed by Marshall Fine

HollywoodandFine.com Perhaps I’m not qualified to write about “Sleeping Beauty,” the debut film from Australian director Julia Leigh. I am, after all, a middle-aged man. And this meandering movie, which manages to make nudity monotonous and presents sex as a distasteful commercial venture, seems to be about a kind of …

‘Coriolanus,’ reviewed by Marshall Fine

HollywoodandFine.com Never a popular part of the Shakespeare canon, “Coriolanus” (opening in limited released Friday, 12/2/11) bears a peculiar timeliness, in the muscular directorial debut by Ralph Fiennes. Fiennes directed and stars in this film, which transposes Shakespeare’s drama about a career soldier forced to cope with political reality to …

‘Outrage,’ reviewed by Marshall Fine

HollywoodandFine.com Takeshi Kitano has always been a rule-breaker so it’s no surprise that “Outrage,” his latest gangster film, should foil expectations. A good part of that has to do with Kitano himself. Cast as a yakuza underboss in a violent, almost Shakespearean tale of double-dealing underworld power struggles, Kitano lets …

‘A Dangerous Method,’ reviewed by Marshall Fine

David Cronenberg’s “A Dangerous Method” is about the talking cure – specifically, the kind of talk therapy pioneered by Sigmund Freud and Carl Jung at the start of the 20th century. Freud and Jung, however, nearly talk the audience to death in Cronenberg’s bloodless, pokey film. Though his cast – …

Exclusive Q&A with NYFCC best supporting actress Melissa Leo

Leo on Her Unconventional Oscar Ads February 10, 2011 10:00 AM by Thelma Adams Actress Melissa Leo inevitably surprises. Usually, it’s because she dives so deep into her characters. Whether she’s jabbing her forefinger at the camera as The Fighter‘s peroxide-blonde matriarch Alice Ward, or driving a clunker across a …

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