Critic’s Pick: ‘Before Midnight’ – You’re on, Armond

Must-See Movies Beyond the Blockbusters “Before Midnight,” the third and richest collaboration between Ethan Hawke, Julie Delpy and director Richard Linklater, finds the French and American couple Celine (Julie Delpy) and Jesse (Ethan Hawke) still talking, talking, talking – and making love. Having met on a train nearly two decades …

Critic’s Pick: ‘Frances Ha’

While bromances flourish – doctors, racecar drivers and superheroes bond regularly — memorable movies about best girlfriends are a rare species. But in that environment, “Frances Ha,” the brilliant black-and-white comic collaboration between star-writer Greta Gerwig (“To Rome with Love”) and writer-director Noah Baumbach (“Greenberg”), is a game-changer. Best friends …

Adams on Reel Women: ‘Snow White and the Huntsman’ — it isn’t pretty!

Beauty is a bitch. That’s always animated the Snow White story: Vanity and jealousy drive the evil stepmother queen to slip Snow White that poisoned apple. Now, along comes “Snow White and the Huntsman,” which is all about teasing out the backstory of these Grimm characters and asking, “Why?” Why …

Adams on Reel Women: Maiwenn Pulls no Punches in ‘Polisse’

Americans want the French with baguettes and berets,” the actress-writer-director Julie Delpy (“Before Sunrise”) told me last month, “The way French people handle sexuality is too controversial for American audiences.” That remark resonated when I watched actress-writer-director Maiwenn submerge herself in the sordid world of the Paris Child Protection Unit. …

Dark Shadows in Bright Suburbs: Why I Grew up Watching ‘Dark Shadows’

In seventh grade, I had a routine: go to my friend Katy’s house, do our advanced math homework, play Yahtzee and watch “Dark Shadows.” After the credits, I would run the three blocks to my suburban San Diego cul de sac under the bright Southern California sun in abject terror, …

Thelma Adams on Reel Women: What Does Cannes Have Against Women?

No one ever claimed that women had bridged the director’s-chair gender gap, but it’s a complete kick in the can that this year’s Cannes Film Festival has not a single female-directed film among the 23 in competition. I love contenders like David Cronenberg, whose Cosmopolis — starring Robert Pattinson — …

Melancholy Baby: Kirsten Dunst in “Melancholia,” commentary by Thelma Adams

Kirsten Dunst, like Drew Barrymore or Lindsay Lohan, is a blond that grew up in front of the camera – arguably the most gorgeous, and certainly the finest actress of the three. In Melancholia, she also becomes the most daring and memorable as Justine, a young bride whose anxiety spoils …

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