Adams on Reel Women: Maiwenn Pulls no Punches in ‘Polisse’

Americans want the French with baguettes and berets,” the actress-writer-director Julie Delpy (“Before Sunrise”) told me last month, “The way French people handle sexuality is too controversial for American audiences.” That remark resonated when I watched actress-writer-director Maiwenn submerge herself in the sordid world of the Paris Child Protection Unit. …

Dark Shadows in Bright Suburbs: Why I Grew up Watching ‘Dark Shadows’

In seventh grade, I had a routine: go to my friend Katy’s house, do our advanced math homework, play Yahtzee and watch “Dark Shadows.” After the credits, I would run the three blocks to my suburban San Diego cul de sac under the bright Southern California sun in abject terror, …

Thelma Adams on Reel Women: What Does Cannes Have Against Women?

No one ever claimed that women had bridged the director’s-chair gender gap, but it’s a complete kick in the can that this year’s Cannes Film Festival has not a single female-directed film among the 23 in competition. I love contenders like David Cronenberg, whose Cosmopolis — starring Robert Pattinson — …

Melancholy Baby: Kirsten Dunst in “Melancholia,” commentary by Thelma Adams

Kirsten Dunst, like Drew Barrymore or Lindsay Lohan, is a blond that grew up in front of the camera – arguably the most gorgeous, and certainly the finest actress of the three. In Melancholia, she also becomes the most daring and memorable as Justine, a young bride whose anxiety spoils …

Exclusive Q&A with NYFCC best supporting actress Melissa Leo

Leo on Her Unconventional Oscar Ads February 10, 2011 10:00 AM by Thelma Adams Actress Melissa Leo inevitably surprises. Usually, it’s because she dives so deep into her characters. Whether she’s jabbing her forefinger at the camera as The Fighter‘s peroxide-blonde matriarch Alice Ward, or driving a clunker across a …

Back to Top