‘Keep the Lights On,’ reviewed by Marshall Fine
HollywoodandFine.com Ira Sachs’ “Keep the Lights On” starts with a credit montage of bad paintings. The fact that they’re all homoerotic in content has nothing to do with their quality, which is amateurish. His protagonist, Erik (Thure Lindhardt), is first seen cruising gay-sex phone chatlines looking for company. He finds …