The Master Archive
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![HollywoodandFine.com I was engaged for the first hour of Paul Thomas Anderson’s “Inherent Vice” – and frustrated into raging impatience by the final 90 minutes. So – 40 percent? Not […]](https://www.nyfcc.com/wp-content/uploads/2014/12/inherent2.jpg "‘Inherent Vice’: Tripping – and stumbling")
‘Inherent Vice’: Tripping – and stumbling
Posted on December 15, 2014 | No CommentsHollywoodandFine.com I was engaged for the first hour of Paul Thomas Anderson’s “Inherent Vice” – and frustrated into raging impatience by the final 90 minutes. So – 40 percent? Not […] -
![HollywoodandFine.com Spike Jonze’s “Her” is the year’s most audacious trick: a film whose best (and longest) moments are simply dialogue between two lovers, figuring out their feelings about themselves and […]](https://www.nyfcc.com/wp-content/uploads/2013/12/her.jpg "‘Her,’ reviewed by Marshall Fine")
‘Her,’ reviewed by Marshall Fine
Posted on December 17, 2013 | No CommentsHollywoodandFine.com Spike Jonze’s “Her” is the year’s most audacious trick: a film whose best (and longest) moments are simply dialogue between two lovers, figuring out their feelings about themselves and […] -
![HollywoodandFine.com I recall a while back that a fellow critic took offense when I referred to Noah Baumbach’s “Greenberg” as “not an audience-friendly film.” He felt that I was using […]](https://www.nyfcc.com/wp-content/uploads/2013/04/audienc32.jpg "When movies aren’t audience-friendly")
When movies aren’t audience-friendly
Posted on April 12, 2013 | No CommentsHollywoodandFine.com I recall a while back that a fellow critic took offense when I referred to Noah Baumbach’s “Greenberg” as “not an audience-friendly film.” He felt that I was using […]