‘Winter’s Tale,’ reviewed by Marshall Fine

HollywoodandFine.com Akiva Goldsman’s track record is a spotty one, chockablock with commercially successful films full of formulaic writing and manipulatively sentimentalized emotion. Or just plain hogwash: “Batman & Robin,” anyone? Sure, he won an Oscar for Ron Howard’s “A Beautiful Mind,” as middlebrow a choice as you could get in …

Steven Spielberg’s Obama reviewed by Armond White for CityArts

By Armond White The worst Steven Spielberg production ever is, without doubt, his Obama homage, Steven Spielberg’s Obama. Unlike his disingenuous Obama-in-disguise campaign feature film, Lincoln, this two-minute satirical short looks artless and slapdash; it was made for last weekend’s White House Correspondents’ Dinner–an annual event for fatcats that contradicts …

42: The Jackie Robinson Legend reviewed by Armond White for CityArts

By Armond White We are fortunate to be spared Spike Lee’s take on the Jackie Robinson story, which surely would have been spiteful: emphatic about race grievance and loaded with numerous Spikey tangents. But Brian Helgeland has fashioned 42, a superbly watchable tale, from Robinson’s groundbreaking desegregation of professional baseball …

‘Django Unchained,’ reviewed by Marshall Fine

HollywoodandFine.com At this point in his career, is there anything Quentin Tarantino can do to surprise us? Absolutely. I was floored by 2009’s “Inglourious Basterds” – not by the violence or the outrageousness of some of the action, but by Tarantino’s command of suspense, his ability to crank the tension …

Zero Dark Thirty named 2012’s Best Picture

Kathryn Bigelow’s war drama Zero Dark Thirty, about the hunt for Osama bin Laden, was named Best Picture from this year’s vote. The film also won two other awards for Best Director (Bigelow) and Best Cinematographer (Greig Fraser). Steven Spielberg’s historical drama Lincoln, picked up three awards, including Best Actor …

‘Lincoln,’ reviewed by Marshall Fine

HollywoodandFine.com Don’t know much about history – but you don’t have to in order to be captivated by Steven Spielberg’s “Lincoln.” Instead of making a conventional biopic, Spielberg and writer Tony Kushner chose to use a single month of Lincoln’s presidency – January, 1865 – to examine the character, power …

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