‘Looper,’ reviewed by Marshall Fine
HollywoodandFine.com Rian Johnson went dark noir via teen angst in his breakout film, “Brick,” then got all Wes Anderson in “The Brothers Bloom.” Now, with “Looper,” he thinks big – or, at least, bigger, going futuristic sci-fi. But he treats the material as a crime-fiction saga, rather than a special-effects …