’12 Years a Slave,’ reviewed by Marshall Fine

HollywoodandFine.com Steve McQueen’s “12 Years a Slave” is the year’s most powerful film, an arthouse masterpiece which demands to be seen – and which will punch mainstream audiences in the gut. McQueen may be the most distinctive filmmaker to emerge since Quentin Tarantino. But while this film deals with similar …

‘Prisoners,’ reviewed by Marshall Fine

HollywoodandFine.com Denis Villeneuve had two films at this year’s Toronto Film Festival. The better one was called “Enemy.” The one that’s getting the big studio release this week is called “Prisoners.” Being sold with an adrenalized trailer featuring the histrionics of Hugh Jackman, “Prisoners” is meant to be a thriller. …

‘Looper,’ reviewed by Marshall Fine

HollywoodandFine.com Rian Johnson went dark noir via teen angst in his breakout film, “Brick,” then got all Wes Anderson in “The Brothers Bloom.” Now, with “Looper,” he thinks big – or, at least, bigger, going futuristic sci-fi. But he treats the material as a crime-fiction saga, rather than a special-effects …

‘Ruby Sparks,’ reviewed by Marshall Fine

HollywoodandFine.com “Ruby Sparks” could be a tasty bit of magical realism in romantic-comedy form, the first produced screenplay by actress Zoe Kazan, who plays the title character. Except for one serious problem. Directed by the “Little Miss Sunshine” team of Jonathan Dayton and Valerie Faris, “Ruby Sparks” should be the …

‘Being Flynn,’ reviewed by Marshall Fine

HollywoodandFine.com It’s unfortunate but understandable that they had to change the name of Nick Flynn’s memoir, “Another Bullshit Night in Suck City,” to the more TV-ready title “Being Flynn.” If only they could have made it into an interesting tale, instead of a movie about miserable people making each other …

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