HollywoodandFine.com Bill Murray has had the most piquant of film careers, launching himself from “Saturday Night Live” into goofy comedies that eventually gave way to something deeper and more satisfying, appearing in everything from “Zombieland” (as a version of himself) to the films of Wes Anderson to wildly varied recent …
HollywoodandFine.com I’ll admit it. I have a critic’s crush on Kathryn Hahn. Jill Soloway’s witty, surprising “Afternoon Delight” only confirms it. I’ve been a Hahn fan for a number of years; I celebrated when she landed the lead (opposite Hank Azaria) of a sit-com called “Free Agents” (and mourned when …
HollywoodandFine.com Aubrey Plaza’s deadpan affect would seem to have limited comic potential. And yet, as she’s shown in the past (in “Safety Not Guaranteed”) and now with “The To Do List,” she’s really a minimalist who knows how to do a lot with a little. A sex comedy with heart, …
HollywoodandFine.com This apparently is the week for multiple unnecessary sequels, with “The Hangover Part III” going up against “Fast & Furious 6” (twice as uncalled-for) for that all-important teen-age dollar. So I’ll give the same “meh” response to “H3” as I did to “Iron Man 3”: better than the second …
HollywoodandFine.com Think of “Identity Thief” as a weak-tea reworking of “Midnight Run,” itself a long-overvalued action-comedy that was never as good its proponents would have you think. Here’s the most damning credit in the list of unremarkable credits for “Identity Thief”: The writer is Craig Mazin, whose filmography includes “Scary …