‘The Brass Teapot,’ reviewed by Marshall Fine

HollywoodandFine.com Neither terrible nor revelatory, Ramaa Mosley’s “The Brass Teapot” is the kind of movie you might stumble across on cable and stick with, if only because, well, you’ve got nothing better to do. Like W.W. Jacobs’ “The Monkey’s Paw,” “The Brass Teapot” is a slight tale with a dark …

‘Phantom,’ reviewed by Marshall Fine

HollywoodandFine.com By its nature, movies set aboard submarines should come with built-in suspense. If the story is set during a war, well, there’s always the threat of attack. Even during peacetime, submarines are tense settings: the claustrophobia factor, the ever-present possibility of mechanical failure, that whole trapped-at-the-bottom of the ocean …

‘Beautiful Creatures,’ reviewed by Marshall Fine

HollywoodandFine.com I’m probably the wrong demographic for “Beautiful Creatures,” the latest effort at franchise-building in the teen supernatural-romance genre. Based on the first in a series of books by Kami Garcia and Margaret Stohl, “Beautiful Creatures” (opening Thursday) hopes the “Twihards” can shift their focus from the undead to the …

‘Identity Thief,’ reviewed by Marshall Fine

HollywoodandFine.com Think of “Identity Thief” as a weak-tea reworking of “Midnight Run,” itself a long-overvalued action-comedy that was never as good its proponents would have you think. Here’s the most damning credit in the list of unremarkable credits for “Identity Thief”: The writer is Craig Mazin, whose filmography includes “Scary …

‘The Last Stand,’ reviewed by Marshall Fine

HollywoodandFine.com Sometimes, all you want is a knock-down, guns-blazing approximation of an old-style western, even if it’s set in contemporary times. As a modern oater, “The Last Stand” is shamelessly entertaining. As guilty pleasures go, this one is relatively defensible. Directed by Korean émigré Kim Jee-woon, it’s a 21st-century take …

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