‘This Is Where I Leave You’: Better than expected

HollywoodandFine.com I went into “This Is Where I Leave You” with trepidation, mostly having to do with its director, Shawn Levy. The man behind such standard-lowering hits as “Cheaper By the Dozen” and the “Night at the Museum” movies, Levy is the filmmaker version of that old saying: To a …

‘A Walk Among the Tombstones’: Chasing killers

HollywoodandFine.com They used to make films like “A Walk Among the Tombstones” on a regular basis: mysteries built around flawed heroes, in which character was as important as plot, and action was the catharsis, not the reason for the story itself. Scott Frank, who directs and adapted the film from …

Week in Film: ‘Begin Again,’ ‘Whitey’ and more

HollywoodandFine.com I wrote a long piece a couple years ago, about why I refused to review the third “Transformers” movie: because the first two sucked, because Michael Bay is the Antichrist, because life is too short to spend watching make-believe computer-animated robots fight each other. I could go on and …

The week in film: ’22 Jump Street,’ ‘The Signal’ and more

HollywoodandFine.com After I saw “22 Jump Street,” I noted publicly that, while it was funnier than “21 Jump Street,” so was my root canal. (Although the latter did include laughing gas.) Still, the bar wasn’t particularly high. So why is this film currently floating atop the Rotten Tomatoes chart with …

Week in Film: ‘X-Men,’ ‘Love Punch,’ ‘Words and Pictures’

HollywoodandFine.com If you’re keeping score at home, of the three Marvel comic-book movies so far this summer (a term I use advisedly for a season that technically doesn’t start for another month), “X-Men: Days of Future Past” outranks “Amazing Spider-Man 2” and is about on a par with “Captain America: …

The week in movies: ‘Divergent,’ ‘Muppets Most Wanted’ and more

HollywoodandFine.com So is “Divergent” the new “Hunger Games”? Or “Twilight”? Or even “Harry Potter”? Probably not. Not because it’s bad but because it’s not bad … but not great either. It’s middling, as so many movies based on the first book of a series tend to be. “Divergent” is derived …

‘Tim’s Vermeer,’ reviewed by Marshall Fine

HollywoodandFine.com Penn and Teller’s “Tim’s Vermeer” is like a cinematic magic trick, one that unveils itself over the course of roughly 90 minutes – and encompasses the years it took Tim Jenison to work the illusion. Except it’s not an illusion. Jenison is an inventor who made his fortune creating …

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