‘Jack the Giant Slayer,’ reviewed by Marshall Fine

HollywoodandFine.com A roiling visual extrusion rendered from computer-generated imagery, “Jack the Giant Slayer” makes you long for the days of Ray Harryhausen. With his sometimes jerky stop-motion animation that was state-of-the-art movie magic for decades, Harryhausen somehow convinced you more thoroughly that his characters were alive and had feelings and …

‘Stoker,’ reviewed by Marshall Fine

HollywoodandFine.com Chan-wook Park’s “Stoker” is audaciously, in-your-face creepy and exhilarating in a way few films have been since David Lynch’s “Blue Velvet.” Because it’s not just the creepiness – but the way Park gets you involved in his world so that you can’t look away. Written by Wentworth Miller (yeah, …

‘A Place at the Table,’ reviewed by Marshall Fine

HollywoodandFine.com You watch a documentary like “A Place At the Table” and it makes you wonder about all the people who still regard large swaths of the population as takers. The thinking is that these people aren’t able to support themselves and their families because they don’t want to. They’d …

‘Red Flag,’ ‘Rubberneck,’ reviewed by Marshall Fine

HollywoodandFine.com It’s rare that a filmmaker has more than one film out in a single year, unless they’re either making both features and documentaries – or they’re Steven Soderbergh. But Alex Karpovsky actually has two films out the same day: “Red Flag” and “Rubberneck.” They’re being released as a double-feature …

‘A Good Day to Die Hard,’ reviewed by Marshall Fine

HollywoodandFine.com According to box-office pundits, “A Good Day to Die Hard” (on further reference: “Die Hard 5”) will be the big box-office winner this holiday weekend. It will reassert Bruce Willis’ box-office magnetism. And it will do it while kicking dirt on the aspirations of his two vintage rivals, Sylvester …

‘Warm Bodies,’ reviewed by Marshall Fine

HollywoodandFine.com Jonathan Levine’s “Warm Bodies” won the weekend box-office race for a couple of reasons. It’s a romantic comedy that works, for one thing. For another, it’s a smart reworking of “Romeo and Juliet.” And, finally, it takes the zombie genre someplace it hasn’t been before – though, at this …

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