About NYFCC

Welcome to the website of the New York Film Critics Circle, an organization of film reviewers from New York-based publications that exists to honor excellence in U.S. and world cinema.

Founded in 1935, the Circle’s membership includes critics from daily newspapers, weekly newspapers, magazines, and qualifying online general-interest publications. Every year in December the organization meets in New York to vote on awards for the previous calendar year’s films.

Among the categories: best picture, director, screenplay, actor, actress, supporting actor, supporting actress, cinematography, animated film, and best first feature. Special standalone awards are also given to individuals and organizations that have made substantial contributions to the art of cinema, including producers, directors, actors, writers, critics, historians, film restorers, and service organizations.

The Circle’s awards are often viewed as harbingers of the Oscar nominations, which are announced each February. The Circle’s awards are also viewed, perhaps more accurately, as a principled alternative to the Oscars, honoring aesthetic merit in a forum that is immune to commercial and political pressures. A complete list of previous winners is available on this site, along with a list of current members with links to their publications.

For a complete list of winners from the past calendar year, click here.


Featured Stories

  • Watch: New York Film Critics 2020 Awards
    The 86th annual, but first ever virtual, New York Film Critics Circle awards celebration is just around the corner.
  • Listen: Acceptance Speeches from the 2018 New York Film Critics Circle Awards Gala
    Listen to some of the acceptance speeches from our 2017 ceremony.
  • K. Austin Collins on Martin McDonagh’s Three Billboards Outside Ebbing, Missouri
    [Martin] McDonagh’s sense of morality readily lends itself to entertaining plot turns and impressive acting. He leans into the kinds of vicious, manipulative contradictions that make melodramas so powerful. But in this case, his predilections only lead us down a rabbit hole of dumb ideas, symbolic ironies that really only make sense to people with […]
  • David Sims on Greta Gerwig’s Lady Bird
    Christine McPherson (Saoirse Ronan) is someone cursed with that familiar, often painful, gift of youth—absolute certainty. She feels everything strongly, expresses her opinions loudly, and both wounds and charms the people around her without meaning to. On the brink of adulthood, she’s resolute enough about her desire to go to college on the East Coast […]
  • Dana Stevens on Todd Haynes’s Wonderstruck
    The “cabinet of wonders”—a museum-like room stuffed to bursting with objects from the worlds of natural history, archaeology, and art—is a recurring theme in Todd Haynes’ new film Wonderstruck, based on a young-adult novel of the same name written and illustrated by Brian Selznick. There couldn’t be a more apt image for Haynes’ particular sensibility, […]