‘Ruby Sparks,’ reviewed by Marshall Fine

HollywoodandFine.com “Ruby Sparks” could be a tasty bit of magical realism in romantic-comedy form, the first produced screenplay by actress Zoe Kazan, who plays the title character. Except for one serious problem. Directed by the “Little Miss Sunshine” team of Jonathan Dayton and Valerie Faris, “Ruby Sparks” should be the …

‘Searching for Sugar Man,’ reviewed by Marshall Fine

HollywoodandFine.com The strangeness of truth compared to the limits of the human imagination gets a crystalline demonstration in Malik Bendjelloul’s “Searching for Sugar Man,” an award-winner at Sundance that lives up to the hype, opening in limited release Friday (7/27/12). If you haven’t heard the hype – or if you …

‘The Queen of Versailles,’ reviewed by Marshall Fine

HollywoodandFine.com Schadenfreude, the feeling of happiness at the misfortunes of another, is a tempting thing – mean-spirited, to be sure, but tempting, nonetheless. That’s particularly true when dealing with characters like the ones at the center of Lauren Greenfield’s stunning documentary, “The Queen of Versailles.” But it’s hard to feel …

To Nullify Film Criticism: Analysis by Armond White for CityArts

Knight Rises, Culture Falls: How Internet fanaticism over The Dark Knight Rises overtook film culture By Armond White Already, The Dark Knight Rises has caused movie media to embarrass itself. Those front page headlines in both the Daily News (four stars) and New York Post (four stars) are heralds of …

‘Grassroots,’ reviewed by Marshall Fine

HollywoodandFine.com There’s a certain rowdy spirit to Stephen Gyllenhaal’s “Grassroots,” now playing in limited release, that gives the fact-based comedy-drama a surprising vitality for a movie that seems so schematic. Based on a true story, the film stars Jason Biggs as a journalist named Phil Campbell, who is fired from …

‘Trishna,’ reviewed by Marshall Fine

HollywoodandFine.com Gorgeously shot and acted with aching tragic truthfulness, Michael Winterbottom’s “Trishna” is a romance of depth and feeling. Part of that, of course, is the source material; Winterbottom, who also wrote the script, has transposed Thomas Hardy’s “Tess of the D’Urbervilles” to modern India, where class differences still hold …

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