‘Rust and Bone,’ reviewed by Marshall Fine

HollywoodandFine.com The visual trickery will catch your attention – but it’s the performance behind it that will hold you and move you in Jacques Audiard’s “Rust and Bone,” opening Wednesday (11/21/12) in limited release. The director of the harrowing “Un Prophete” – with its gritty violence and interracial tensions in …

Silver Linings Playbook reviewed by Armond White for CityArts

David O. Russell brings up a romantic Playbook By Armond White Pat and Tiffany, a recently paroled psychiatric patient and young widow in David O, Russell’s Silver Linings Playbook, argue on the street of their Pennsylvania neighborhood, pouring out their anxieties and defenses–all the time emanating undeniable sexual attraction. This …

Spielberg’s Lincoln reviewed by Armond White for CityArts

The Pageantry of Rhetoric How Spielberg’s Lincoln parlays the “Great Man” notion of history By Armond White “You begin your second term with semi-divine status,” the 16th President of the United States is told in Steven Spielberg’s film Lincoln. The evidence of that status is in the film’s mythifying visual …

‘Silver Linings Playbook,’ reviewed by Marshall Fine

HollywoodandFine.com Feel-good movies about people with mental disorders – from “As Good As It Gets” to “It’s Kind of a Funny Story” and beyond – face the same challenge. They have to take the psychological issues they deal with – depression, OCD, bipolar disorder – seriously enough to avoid trivializing …

‘Starlet,’ reviewed by Marshall Fine

HollywoodandFine.com “Starlet,” opening Friday (11/9/12) in limited release, may be one of the year’s most surprising little movies, a tough-minded, low-budget tale that never quite leads you where it seems to be going. Not that where it’s going is somewhere you’d choose for yourself. But writer-director Sean Baker hooks you …

‘Lincoln,’ reviewed by Marshall Fine

HollywoodandFine.com Don’t know much about history – but you don’t have to in order to be captivated by Steven Spielberg’s “Lincoln.” Instead of making a conventional biopic, Spielberg and writer Tony Kushner chose to use a single month of Lincoln’s presidency – January, 1865 – to examine the character, power …

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