‘Gangster Squad,’ reviewed by Marshall Fine

HollywoodandFine.com You get the feeling that Ruben Fleischer would have been happy to make an homage to the gangster movies of the 1940s (filtered through both a 1970s and a 21st-century perspective) when he was making “Gangster Squad.” That’s not the same thing, unfortunately, as making a derivative and slight …

Django Unchained reviewed by Armond White for CityArts

Django is Junk By Armond White Brazenly inauthentic, Django Unchained is unmistakably QT’s vision–trivializing slavery’s true deep treachery–and it’s an impersonal, privileged vision. Tarantino, who commands more leverage than any Hollywood director besides Spielberg, is beyond needing to look cool about his race obsession. He’s got Jackson to satisfy his …

‘Promised Land,’ reviewed by Marshall Fine

HollywoodandFine.com I wanted to like “Promised Land” and certainly agree with its politics. So why did it feel like a preaching-to-the-converted letdown? Written by costars Matt Damon and John Krasinski, this Gus Van Sant film deals with a small Pennsylvania town hit hard by the recession. The area farmers are …

‘Les Miserables,’ reviewed by Marshall Fine

HollywoodandFine.com Tom Hooper’s film of the musical “Les Miserables” is an exceptional movie of a mediocre musical, the kind of middlebrow melodrama that passes for profound on Broadway. Part of the sorry big-box-musical era that brought us “Cats,” “Miss Saigon” and “The Phantom of the Opera,” “Les Miserables” was a …

‘Django Unchained,’ reviewed by Marshall Fine

HollywoodandFine.com At this point in his career, is there anything Quentin Tarantino can do to surprise us? Absolutely. I was floored by 2009’s “Inglourious Basterds” – not by the violence or the outrageousness of some of the action, but by Tarantino’s command of suspense, his ability to crank the tension …

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