HollywoodandFine.com There’s been a lot of Oscar chatter about the fact that “Argo” seems on track to win the best-picture trophy this year – despite the fact that its director, Ben Affleck, was left off the list of best-director nominees. What seems to have gone undiscussed is the elephant in …
HollywoodandFine.com I’m probably the wrong demographic for “Beautiful Creatures,” the latest effort at franchise-building in the teen supernatural-romance genre. Based on the first in a series of books by Kami Garcia and Margaret Stohl, “Beautiful Creatures” (opening Thursday) hopes the “Twihards” can shift their focus from the undead to the …
HollywoodandFine.com Her name is Lore (pronounced like Laura) and, from all appearances, she’s your typical petulant 14-year-old, focused on herself, with little time for her gaggle of siblings or her parents. But then reality sets in: Lore (Saskia Rosendahl) is an adolescent in 1945 Germany. The war is coming to …
HollywoodandFine.com Think of “Identity Thief” as a weak-tea reworking of “Midnight Run,” itself a long-overvalued action-comedy that was never as good its proponents would have you think. Here’s the most damning credit in the list of unremarkable credits for “Identity Thief”: The writer is Craig Mazin, whose filmography includes “Scary …
HollywoodandFine.com I have, on occasion, posted rants about filmmakers and actors who I consider overrated, a list that includes John Hughes, Terrence Malick, Zooey Deschanel and Ridley Scott, among others. And, at some point, a reader sent in a comment that said, “Why not write about someone who’s underrated?” To …
HollywoodandFine.com Dear Steven Soderbergh: Please don’t stop making movies. Your name is high on the list of filmmakers whose careers I’m thankful have coincided with my career as a movie critic. And “Side Effects” is further proof that you are at the height of your powers as a filmmaker. There’s …
HollywoodandFine.com Jonathan Levine’s “Warm Bodies” won the weekend box-office race for a couple of reasons. It’s a romantic comedy that works, for one thing. For another, it’s a smart reworking of “Romeo and Juliet.” And, finally, it takes the zombie genre someplace it hasn’t been before – though, at this …
An exclusive CityArts critics discussion of Walter Hill’s comeback By Armond White Bullet to the Head is an event. It is director Walter Hill’s first theatrical film since 2002’s Undisputed and the most meaningful Sylvester Stallone acting vehicle since Rocky. On this occasion I discuss the significance of Bullet to …
HollywoodandFine.com When I was in college, I once interviewed the late Rupert Crosse, an African-American actor who got an Oscar nomination for a 1969 film called “The Reivers,” whose star was Steve McQueen. If I’d known then that I would, 40 years later, write a book about John Cassavetes (in …
HollywoodandFine.com I lost count of the number of noggins that were perforated by hot lead in “Bullet to the Head,” but it was more than a dozen. Henchman apparently is a particularly dangerous job description, at least in this movie, though they’re not the only ones who wind up with …
