HollywoodandFine.com I’m probably the wrong demographic for “Beautiful Creatures,” the latest effort at franchise-building in the teen supernatural-romance genre. Based on the first in a series of books by Kami Garcia and Margaret Stohl, “Beautiful Creatures” (opening Thursday) hopes the “Twihards” can shift their focus from the undead to the …
HollywoodandFine.com Her name is Lore (pronounced like Laura) and, from all appearances, she’s your typical petulant 14-year-old, focused on herself, with little time for her gaggle of siblings or her parents. But then reality sets in: Lore (Saskia Rosendahl) is an adolescent in 1945 Germany. The war is coming to …
HollywoodandFine.com Think of “Identity Thief” as a weak-tea reworking of “Midnight Run,” itself a long-overvalued action-comedy that was never as good its proponents would have you think. Here’s the most damning credit in the list of unremarkable credits for “Identity Thief”: The writer is Craig Mazin, whose filmography includes “Scary …
HollywoodandFine.com I have, on occasion, posted rants about filmmakers and actors who I consider overrated, a list that includes John Hughes, Terrence Malick, Zooey Deschanel and Ridley Scott, among others. And, at some point, a reader sent in a comment that said, “Why not write about someone who’s underrated?” To …
HollywoodandFine.com Dear Steven Soderbergh: Please don’t stop making movies. Your name is high on the list of filmmakers whose careers I’m thankful have coincided with my career as a movie critic. And “Side Effects” is further proof that you are at the height of your powers as a filmmaker. There’s …
HollywoodandFine.com Jonathan Levine’s “Warm Bodies” won the weekend box-office race for a couple of reasons. It’s a romantic comedy that works, for one thing. For another, it’s a smart reworking of “Romeo and Juliet.” And, finally, it takes the zombie genre someplace it hasn’t been before – though, at this …
HollywoodandFine.com When I was in college, I once interviewed the late Rupert Crosse, an African-American actor who got an Oscar nomination for a 1969 film called “The Reivers,” whose star was Steve McQueen. If I’d known then that I would, 40 years later, write a book about John Cassavetes (in …
HollywoodandFine.com I lost count of the number of noggins that were perforated by hot lead in “Bullet to the Head,” but it was more than a dozen. Henchman apparently is a particularly dangerous job description, at least in this movie, though they’re not the only ones who wind up with …
HollywoodandFine.com I found myself strangely compelled by Austin Chick’s “Girls Against Boys,” as much for what it doesn’t say as for what it does. The film starts with a flash-forward, with a young woman named Lu (Nicole LaLiberte), sexually teasing a cop (Matthew Rauch) in a bedroom, then getting him …
HollywoodandFine.com The waste of talent in Fisher Stevens’ “Stand Up Guys” is criminal. It’s the movie equivalent of shooting a man in Reno, just to watch him die. This tale of three aging lawbreakers – played by Al Pacino, Christopher Walken and Alan Arkin – is not just clichéd. It’s …
HollywoodandFine.com Now that his first comeback movie has seriously bombed, what’s next for Arnold Schwarzenegger? I’m here to suggest that, in fact, “The Last Stand,” which opened to slim box office in the U.S. a couple of weeks ago, is actually a step in the right direction for the aging …
HollywoodandFine.com It’s the rare political satire that really works – if only because real politics are so much weirder and painfully amusing than anything a writer could concoct. Exhibit A: Mark Sanford, disgraced governor of South Carolina, announcing he will run for Congress (where he’ll fit right in). If finding …
HollywoodandFine.com Based on a cult novel by David Wong, Don Coscarelli’s “John Dies at the End” suffers the same problem as its source book: an elaborate imagination in service to writing that is never anywhere near as funny or clever as the writer seems to believe. As a result, this …
HollywoodandFine.com Sheldon Candis’ “LUV” is a rough coming-of-age tale that establishes Common as a rapper who could easily put his music career behind him and concentrate on acting. It also introduces a young talent, Michael Rainey Jr., as his nephew, in a breakthrough role that theoretically could signal the start …