‘The Purge,’ reviewed by Marshall Fine

HollywoodandFine.com “The Purge” is a high-concept blunt instrument of a thriller, a movie that offers a straightforward set-up and few subsequent surprises. It does exactly what you expect and doesn’t really go anywhere you don’t assume it will. The premise is devilishly simple: In the future, the government has eliminated …

London: The Modern Babylon reviewed by Armond White for CityArts

By Armond White In his essential book Subculture: The Meaning of Style, professor Dick Hebdige remarked that “the history of post-war British youth culture must be reinterpreted as a succession of differential responses to the black immigrant presence in Britain from the 1950s onward.” This appears to be Julian Temple’s …

‘Much Ado About Nothing,’ reviewed by Marshall Fine

HollywoodandFine.com I want to applaud Joss Whedon’s “Much Ado About Nothing” for all the things it does right, and I will. But Whedon’s side project – between his various TV and Marvel-related entertainments – gets one thing unfortunately wrong: It’s never very funny. Much of that has to do with …

‘Violet & Daisy,’ reviewed by Marshall Fine

HollywoodandFine.com Geoffrey Fletcher’s filmmaking debut, “Violet & Daisy,” is the summer’s oddest, most original treat. Imagine a script by Quentin Tarantino, directed by Wes Anderson – and you have an idea of just how deliciously surprising this film can be. It opens Friday (6/7/13) in limited release. The opening scene …

‘The Kings of Summer,’ reviewed by Marshall Fine

HollywoodandFine.com Shown at Sundance under the title “Toy’s House,” Jordan Vogt-Roberts’ “The Kings of Summer” is a coming-of-age tale that touches a lot of bases and explores a variety of tones in ways that most films are too timid to do. Based on a witty, imaginative script by Chris Galletta, …

With Bio-Pics Like This Who Needs Enemies: Behind the Candelabra reviewed by Armond White for CityArts

By Armond White From the actors’ perspective, Behind the Candelabra looks like a compassionate portrayal of the pianist and singer Liberace‘s relationship with Scott Thorson. The older established celebrity’s involvement with a younger man, masked for the public from 1977 to Liberace’s death in 1987, gets exposed here as an …

Film of the Week: Hannah Arendt reviewed by Armond White for CityArts

By Armond White Filmed under the working title “The Controversy,” Margarethe von Trotta’s bio-pic Hannah Arendt (now at Film Forum), about the renown German Jewish critic and philosopher, combines gossipy insight into the New York literary society of the 1960s with a more serious story of political morality. Those seemingly …

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