‘Escape from Tomorrow,’ reviewed by Marshall Fine

HollywoodandFine.com Randy Moore’s “Escape from Tomorrow” may be the year’s most subversive film: a horrifying satire of the manufactured fun we’ve come to associate with the Disney assembly line. Make no mistake: I’m a huge fan of the shiny, witty entertainment which, for years, has been the Disney trademark. I …

‘Adore,’ reviewed by Marshall Fine

HollywoodandFine.com I’ll say this about “Adore”: It never goes where you expect it to. This Australian film, from director Anne Fontaine, was titled “Two Mothers” when it screened at Sundance in January, “The Grandmothers” when it was a short novel by Doris Lessing. “Adore” seems more descriptive, if more vague …

’20 Feet From Stardom,’ reviewed by Marshall Fine

HollywoodandFine.com It’s hard to imagine another documentary this year that will be as uplifting, entertaining and moving as Morgan Neville’s “20 Feet From Stardom.” A sensation at this year’s Sundance festival, “20 Feet” looks at a group of people who normally don’t feel the spotlight’s heat – the backup singer. …

‘The Sessions,’ reviewed by Marshall Fine

HollywoodandFine.com Sex is a magnetic force, one that attracts and repels with equal force. Those impulses can be electrifying or awkward, drawing us desperately while tripping us up regularly. To make it even more difficult, this primal bit of attraction comes freighted with teachings about morality, religion and hygiene. Now …

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