‘Violet & Daisy,’ reviewed by Marshall Fine

HollywoodandFine.com Geoffrey Fletcher’s filmmaking debut, “Violet & Daisy,” is the summer’s oddest, most original treat. Imagine a script by Quentin Tarantino, directed by Wes Anderson – and you have an idea of just how deliciously surprising this film can be. It opens Friday (6/7/13) in limited release. The opening scene …

‘The Paperboy,’ reviewed by Marshall Fine

HollywoodandFine.com Lee Daniels received all sorts of accolades for 2009’s “Precious,” which seemed to announce a fiery new filmmaking talent. But the real indicator of Daniels’ sensibility may actually be 2005’s “Shadowboxer,” an overwrought and preposterous tale of professional killers (Helen Mirren and Cuba Gooding Jr.) who also happen to …

Back to Top