HollywoodandFine.com It’s the rare journalism movie that gets it right when it comes to depicting the day-to-day on a daily newspaper. And, given the terminal condition of American print, journalism movies themselves are going to become an endangered species – sort of like newspapers. So it’s nice to see a …
HollywoodandFine.com Even as the brain-dead “Godzilla” is somehow getting a pass in its early reviews, you can bet that “Million Dollar Arm” is going to get savaged by the same critics, who are uncomfortable with movies that deal, ultimately, with feelings instead of ideas (or, in the case of “Godzilla,” …
HollywoodandFine.com Tony Gilroy is the smartest, most intriguing screenwriter since William Goldman was in his heyday. In a variety of films – including his own “Michael Clayton” and “Duplicity” – Gilroy has demonstrated both a toughness and a cleverness that few contemporary screenwriters possess. He comes through again with “The …
HollywoodandFine.com Here’s the best thing I can say about “The Avengers” (and no, I will NOT refer to it as “Marvel’s The Avengers,” because the branding is implicit): It offers a couple of the biggest laughs in recent memory, including a slapstick gag worthy of Chuck Jones in his “Looney …
HollywoodandFine.com At some point in the future, when they assemble a festival of films devoted to the still-rippling effects of George W. Bush’s unnecessary war in Iraq, you can add Liza Johnson’s film “Return” to the list of movies that deserve to be seen. Like Neil Burger’s “The Lucky Ones” …
HollywoodandFine.com You know a tent-pole movie series is in trouble when it has to explain its title in its dialogue. As in Tom Cruise saying, about midway through “Mission: Impossible – Ghost Protocol,” to the rest of his crew, “We’re going to Ghost Protocol. Ghost Protocol is…” and then explaining …