K. Austin Collins on Martin McDonagh’s Three Billboards Outside Ebbing, Missouri

[Martin] McDonagh’s sense of morality readily lends itself to entertaining plot turns and impressive acting. He leans into the kinds of vicious, manipulative contradictions that make melodramas so powerful. But in this case, his predilections only lead us down a rabbit hole of dumb ideas, symbolic ironies that really only …

‘Moonrise Kingdom,’ reviewed by Marshall Fine

HollywoodandFine.com Is there anything headier, happier and more confusing than first love? Of course not. That sensation is captured perfectly in Wes Anderson’s “Moonrise Kingdom,” as wonderfully odd and formal a film as Anderson has made. Even in Anderson’s detail-oriented obsession with symmetry and control of his images, he manages …

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