‘The Bourne Legacy,’ reviewed by Marshall Fine

HollywoodandFine.com Tony Gilroy is the smartest, most intriguing screenwriter since William Goldman was in his heyday. In a variety of films – including his own “Michael Clayton” and “Duplicity” – Gilroy has demonstrated both a toughness and a cleverness that few contemporary screenwriters possess. He comes through again with “The …

‘Moonrise Kingdom,’ reviewed by Marshall Fine

HollywoodandFine.com Is there anything headier, happier and more confusing than first love? Of course not. That sensation is captured perfectly in Wes Anderson’s “Moonrise Kingdom,” as wonderfully odd and formal a film as Anderson has made. Even in Anderson’s detail-oriented obsession with symmetry and control of his images, he manages …

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