‘St. Vincent’: The Passion of St. Bill

HollywoodandFine.com Bill Murray has had the most piquant of film careers, launching himself from “Saturday Night Live” into goofy comedies that eventually gave way to something deeper and more satisfying, appearing in everything from “Zombieland” (as a version of himself) to the films of Wes Anderson to wildly varied recent …

Week in film: ‘Edge of Tomorrow,’ ‘Fault in Our Stars,’ more

HollywoodandFine.com When you consider that Tom Cruise has been a major movie star for more than three decades, it’s surprising how few out-and-out stinkers he’s made (can Tom Hanks say the same thing?) and how much of himself he can still hold in reserve, with which to surprise us in …

The week in movies: ‘The Grand Budapest Hotel,’ ‘The Face of Love’

HollywoodandFine.com How do I love the work of Wes Anderson? Let me count the ways. Anderson may be the most consistently original filmmaker to emerge during the 25 years I’ve been writing about film in New York. He has a distinctive style that only gets deeper as he matures – …

‘The Monuments Men,’ reviewed by Marshall Fine

HollywoodandFine.com Having been mentioned as an Oscar contender for 2013, George Clooney’s “The Monuments Men” was abruptly bumped from awards season to this week because, according to the press release, Clooney needed more time to finish it. So its release was moved to February, a month whose releases are seldom …

‘Hyde Park on Hudson,’ reviewed by Marshall Fine

HollywoodandFine.com Roger Michell’s “Hyde Park on Hudson” is half a good movie. When it focuses on the quirks and manipulations of international events, it crackles and pops – and when it turns its attention to the soap-operatic romance, it settles into a dull hum. Based on real events, Richard Nelson’s …

‘Your Sister’s Sister,’ reviewed by Marshall Fine

HollywoodandFine.com Lynn Shelton had me at “Humpday,” the feature that introduced me to the intuitively funny filmmaker, who comes back strong with “Your Sister’s Sister,” opening in limited release Friday (6/15/12). Working once again with Mark Duplass, Shelton brings Emily Blunt and Rosemarie Dewitt into the mix, in a story …

‘Moonrise Kingdom,’ reviewed by Marshall Fine

HollywoodandFine.com Is there anything headier, happier and more confusing than first love? Of course not. That sensation is captured perfectly in Wes Anderson’s “Moonrise Kingdom,” as wonderfully odd and formal a film as Anderson has made. Even in Anderson’s detail-oriented obsession with symmetry and control of his images, he manages …

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