Brazenly inauthentic, Django Unchained is unmistakably QT’s vision–trivializing slavery’s true deep treachery–and it’s an impersonal, privileged vision.
Tarantino, who commands more leverage than any Hollywood director besides Spielberg, is beyond needing to look cool about his race obsession. He’s got Jackson to satisfy his need for pity. [More on this in my forthcoming book Say What?] Pity, according to the hipster definition laid out by Norman Mailer’s classic 1958 essay “The White Negro” (a confession that has entered the subconscious of every Wigger) is the flip side of envy and such pseudo-rebellious class envy borders that thin line next to contempt.
Read Armond White’s entire review “Still Not a Brother” at http://cityarts.info/2012/12/28/still-not-a-brother/